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・ Danny Litwhiler
・ Danny Livesey
・ Danny Livingstone
・ Danny Lloyd
・ Danny Lockett
・ Danny Lockin
・ Danny Lockwood
・ Danny Lohner
・ Danny Lopes
・ Danny Lopez
・ Danny Lopez (British consul)
・ Danny Lorenz
・ Danny Lucas
・ Danny Lui
・ Danny Lux
Danny Lyon
・ Danny Lyons
・ Danny López Soto
・ Danny Mac
・ Danny MacAskill
・ Danny MacDonalds Lake
・ Danny MacFayden
・ Danny Maciocia
・ Danny MacRae
・ Danny Madden
・ Danny Maddix
・ Danny Maguire
・ Danny Mahoney
・ Danny Makkelie
・ Danny Malboeuf


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Danny Lyon : ウィキペディア英語版
Danny Lyon

Danny Lyon (born March 16, 1942) is an American photographer〔http://www.theguardian.com/artanddesign/2012/may/15/danny-lyon-interview-photography〕 and filmmaker.
All of Lyon's publications work in the style of photographic New Journalism, meaning that the photographer has become immersed, and is a participant, of the documented subject. He is the founding member of the publishing group ''Bleak Beauty.''
After being accepted as the photographer for Student Nonviolent Coordinating Committee (SNCC), Lyon was present at almost all of the major historical events during the African-American Civil Rights Movement (1954–68).
He has had solo exhibits at the Whitney Museum of American Art, the Art Institute of Chicago, the Menil Collection, the M. H. de Young Memorial Museum in San Francisco and the Center for Creative Photography at the University of Arizona. Lyon twice received a Guggenheim Fellowship; a Rockefeller Fellowship, Missouri Honor Medal for Distinguished Service in Journalism; and a Lucie Award.〔(【引用サイトリンク】 access-date = 4 November 2015 )
==Life and work==
Lyon was born in 1942 in Brooklyn, New York and is the son of Russian-Jewish mother Rebecca Henkin and German-Jewish father Dr. Ernst Fredrick Lyon. Danny was raised in Kew Gardens, Queens and went on to study history and philosophy at the University of Chicago, where he graduated with a Bachelor of Arts degree in 1963.
That same year, he published his first photographs working for the Student Nonviolent Coordinating Committee. His pictures appeared in ''The Movement'', a documentary book about the Southern Civil Rights Movement.
Later, Lyon began creating his own books. His first, was a study of outlaw motorcyclists in the collection ''The Bikeriders'' (1968), where Lyon did more than just photograph motorcyclists in the American Midwest from 1963 to 1967.〔http://www.vice.com/en_uk/read/danny-lyons-bikeriders-are-back〕〔http://wheels.blogs.nytimes.com/2013/03/07/two-looks-at-danny-lyons-bikeriders-photos/?_r=0〕 Additionally, he also became a member of the Chicago Outlaws motorcycle club and traveled with them, sharing their lifestyle. According to Lyon himself, the photographs were "an attempt to record and glorify the life of the American bikerider." The series was immensely popular and influential in the 1960s and 1970s. By 1967 he was invited to join Magnum Photos. He never became a full member. During the 1970s, he also contributed to the Environmental Protection Agency's DOCUMERICA project.
''The Destruction of Lower Manhattan'' (1969) was Lyon's next work, published by Macmillan Publishers in 1969. The book documents the large-scale demolition taking place throughout Lower Manhattan in 1967. Included are photographs of soon to be demolished streets and buildings, portraits of the neighborhood's last remaining stragglers and pictures from within the demolition sites themselves. The book was eventually remaindered for one dollar each, as was but soon attained the status of a collector's item. It was later reprinted in 2005.
''Conversations with the Dead'' (1971) was published with full cooperation of the Texas Department of Corrections. Lyon photographed in six prisons over a fourteen-month period in 1967 to 1968. The series was printed to book in 1971 by Holt publishing. The introduction of Lyon's book points to a statement of purpose that the penal system of Texas is symbolic for incarceration everywhere. He states, "I tried with whatever power I had to make a picture of imprisonment as distressing as I knew it to be in reality."
Lyon befriended many of the prisoners. The book also includes texts taken from prison records, letters from the convicts, and inmate artwork. In particular, the book focuses on the case of Billy McCune, a convicted rapist whose death sentence was eventually commuted to life in prison. In the foreword, Lyon describes Billy as a diagnosed psychotic, who one evening, while awaiting execution, "cut his penis off to the root and, placing it in a cup, passed it between the bars to the guard."
All of Lyon's publications work in the style of photographic New Journalism, meaning that the photographer has become immersed, and is a participant, of the documented subject.
He is the founding member of the publishing group ''Bleak Beauty.'' He was greatly encouraged in his photography by curator of the Art Institute of Chicago Hugh Edwards, who gave Lyon two one man exhibits as a young man.
Also a filmmaker and writer, Lyon's films and videos include ''Los Niños Abandonados,'' ''Born to Film,'' and ''Willie and Murderers''. He has published the non-fiction book, ''Like A Thief's Dream''.

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